Zhang Ziyi
Zhang Ziyi
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Full Name and Common Aliases
Zhang Ziyi's full name is Zhang Ziyi, and she is commonly known as "Little Dragon Girl" for her debut in the 1999 film _The Road Home_.
Birth and Death Dates
Born on February 9, 1979, in Beijing, China. (Still alive)
Nationality and Profession(s)
Nationality: Chinese
Profession: Actress, Model, Dancer, Philanthropist
Early Life and Background
Growing up in a family of artists, Zhang Ziyi was exposed to music and dance from an early age. Her mother, Zhao Hengyi, was a singer, and her father, Zhang Fangyuan, was a professor who loved music and art. She began studying dance at the Beijing Dance Academy when she was just eight years old. In 1996, she joined the Central Experimental Theatre in Beijing to hone her acting skills.
Major Accomplishments
Won the Best Actress award at the 2000 Hundred Flowers Awards for her role in _The Road Home_.
Starred in Crouching Tiger, Hidden Dragon (2000), which became a global phenomenon and earned her international recognition.
Nominated for an Academy Award for Best Supporting Actress for her portrayal of Suyun in Memoirs of a Geisha (2005).
Received the Order of Arts and Letters from the French government in 2011.
Notable Works or Actions
Collaborated with renowned directors such as Ang Lee, Zhang Yimou, and Rob Marshall on various projects.
Has been involved in several charity initiatives, including supporting education programs for underprivileged children and advocating for environmental conservation.
* Made her singing debut in 2005 with the album _Dreams Come True_.
Impact and Legacy
As one of China's most influential actresses, Zhang Ziyi has not only captivated audiences worldwide but also paved the way for future generations of Chinese actors. Her contributions to the film industry have been recognized globally, solidifying her status as a cultural icon.
Why They Are Widely Quoted or Remembered
Zhang Ziyi is widely quoted and remembered for her thought-provoking statements on art, culture, and social issues. She has spoken about the importance of preserving traditional Chinese arts and culture, as well as promoting cross-cultural understanding through film. Her philanthropic efforts have also inspired many to make a positive impact in their communities.
In conclusion, Zhang Ziyi is an accomplished actress, model, dancer, and philanthropist who continues to inspire with her talent and generosity.
Quotes by Zhang Ziyi
Zhang Ziyi's insights on:
There are films you see that only reach your eyes. Then there are films that you can watch... that reach down to your throat, or reach your heart. 'In the Mood for Love,' though, reached all the way to my belly.
Today’s China is not in the least shut out from the rest of the world. Trends come to us from all over the world. And the Internet is really developed in China. We get news from all over the world.
I knew nothing about martial arts. And I don’t really like it! But in the film, I not only had to pretend that I knew all about it, I had to be the best at it. That was very difficult.
Absolutely not, because in acting I’ve found a domain that suits me perfectly. And that is so utterly rare.
Obviously I’d love to work with any of these great directors because every time I’ve worked with them I’ve gained a tremendous amount as an actor. Each director has his own way of pushing you towards improving yourself.
I’m not really interested in politics, because I think it’s just too removed from my own life. If there’s a war, though, or a disaster, I want to know what’s happening.
Even though I’ve done Hollywood films, I still don’t think of myself as a Hollywood actress.
There are actors who spend 20 years working and still don’t achieve what I’ve achieved so quickly. So I think my only course of action is to work as hard as I can, not just for the sake of the film, but also to prove to these people that I do have talent.
When I watch a movie for the first few times I’m usually thinking about where I was in a given scene, who was next to me, what we were doing etc. But after I’ve gotten through all of this, when I’m really watching the film itself, then I get moved.
Working in Hollywood, it’s clear the more money you have, the more technology you can get. So you can build a whole Japanese set. Only in Hollywood!