#1950s
Quotes about 1950s
The 1950s, a decade often romanticized for its post-war optimism and cultural renaissance, represents a pivotal era in history marked by profound transformation and innovation. This period is characterized by a unique blend of nostalgia and progress, where traditional values coexisted with burgeoning modernity. The 1950s saw the rise of rock 'n' roll, the birth of the suburban dream, and the dawn of the space age, all of which contributed to a vibrant cultural tapestry. People are drawn to quotes from this era because they encapsulate the spirit of change and the pursuit of the American Dream, reflecting themes of hope, resilience, and the quest for a better future. The decade's quotes often evoke a sense of simplicity and optimism, resonating with those who yearn for a time when life seemed more straightforward yet full of promise. Whether it's the allure of vintage fashion, the charm of classic cars, or the groundbreaking technological advancements, the 1950s continue to captivate and inspire, offering timeless wisdom and insight into a world on the brink of modernity.
The English are very proud of their Parliament, and week in, week out, century after century, they have pretty good cause to be.
Think of everything cliché you know about the 1950s: housewives spent their days vacuuming with martinis in hand and a look of existential horror in their eyes, and every home was outfitted with a TV set.
In the 1950s the three most heinous things in America were heroin use, communism, and homosexuality.
Could you tell me, Maigret, why plainclothes policemen always go around in twos, just like plumbers?
A dock worker from East Ham also spoke of freedom. "You'll never find the English going Communist" he said. "We don't like it. It's not true Communism, it dictatorial. We want to say what we think. I'm a republican myself and I don't like the Royal Family. They all look as if a good day's work would kill them".
White Christian America had its golden age in the 1950s, after the hardships and victories of World War Ii and before the cultural upheavals of the 1960s. June Cleaver was its mother, Andy Griffith was its sheriff, Norman Rockwell was its artist. and Billy Graham and Norman Vincent Peale were its ministers.
It's not a real place, or a place that you can stay for long; it's a somewhere-over-the-rainbow archetype but rooted in genuine emotions. No matter what Guests' care might be, when they step onto Main Street they enter an evocation of the ideal home town. This is, in a sense, the 'home' to which Dorothy Gale wanted to return. Main Street welcomes all Guests with warmth as comforting today as it was to the post-war society of the 1950's for which it was originally created.
Disneyland was one perfect answer. It provided, an almost sacred space where it is permissible and safe to let one's guard down, take a risk, rediscover imagination, have fun, express emotion, play and deepen family ties. This is powerful stuff even today, in our nation of workaholics and two-working-parent households, and it was certainly powerful in the anxious 1950's.
The survey of the time spent in the home by most housewives established that, on average, they worked 75 hours a week, with overtime on Saturdays and Sundays. This did not take into account that a number of women were also doing part or full-time work outside the home.
The heavy scent of perfume and the red slashes of lipstick, so strong in the fifties, revolted me. For a time I resented her. She was the messenger and also the message