164quotes

Quotes about aesthetics

Aesthetics, a term that encapsulates the philosophy of beauty and taste, is a concept that resonates deeply with our innate desire to find harmony and meaning in the world around us. It is the lens through which we perceive and appreciate the visual, auditory, and sensory experiences that enrich our lives. From the delicate brushstrokes of a painting to the intricate design of a building, aesthetics influences how we interpret and value art, nature, and even everyday objects. People are drawn to quotes about aesthetics because they offer a distilled essence of beauty and insight, capturing the profound connection between our senses and emotions. These quotes often serve as a reminder of the subtle elegance that can be found in simplicity and the profound impact that beauty can have on our well-being. In a world that can sometimes feel chaotic and overwhelming, aesthetics provides a refuge, a way to pause and reflect on the splendor that surrounds us. Whether it is through the elegance of a well-crafted sentence or the symmetry of a natural landscape, aesthetics invites us to explore the depths of our perception and to celebrate the art of seeing the world with fresh eyes.

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...the line of beauty is the line of beauty. It doesn't matter if it's been through the Xerox machine a hundred times.
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I think it's more accurate to think of aesthetics as a key ingredient in a recipe, as opposed to the icing on the cake.
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The better looking you are the harder your life, under one condition: You're of above average intelligence. It's those unintelligent attractive people who have it best.
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Seeing is metamorphosis, not mechanism.
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Aesthetic criticism returns us to the autonomy of imaginative literature and the sovereignty of the solitary soul, the reader not as a person in society but as the deep self, our ultimate inwardness.
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You're a beautiful boy, Clay, but that's about it.
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People are nice to me because of how I like, and part of me likes that, but part of me feels guilty because I haven't done anything to deserve it.
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Its particular interest for Ian, however, lay in its thesis about the history of the Dutch relationship to windmills, for it emphasized that these early industrial objects had originally been felt to have all the pylons' threateningly alien qualities, rather than the air of enchantment and playfulness now routinely associated with them. They had been denounced from pulpits and occasionally burnt to the ground by suspicious villagers.
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Art is what appeals to the a priori.
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Durer would have seen a reason for livingin a town like this
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